Roland Juno-106 VS Juno-106 Gravitational Slingshot Synthesizer Comparison

On the bottom tier is the wonderful Roland Juno-106 in all its original glory. No mods, no apologies. Going against the upper tier Juno, not only are the Gravitational Slingshot chips installed but also having the Analogue Renaissance waveform chips as well. I'm auditioning the same patches as loaded on both. Are you ready for a showdown? Which one comes out on top?

These patches are available for download at GUMROAD Audio recorded direct to iPhone via Roland GO:Mixer Pro-X via Soundcraft EPM6 Mixer. Aside from some normalization, no additional effects or processing were used.

Be sure to check out my REVERB STORE for gently owned gear and cool Eurorack modules for sale

Roland Juno-106 Synthesizer - That Juno Sound (no talking)

Today I'm auditioning some of my original patches the Roland Juno-106. I just love the 106 for those plucky arps, sweepy portamento pads, classic chorus circuit, weird resonance chops, and not forgetting those basses. The range of sounds inside the simple architecture is littered with sweet spots. I've lovingly crafted a bank of patches to harness these attributes, now these patches are available at Gumroad. Audio recorded direct to iPhone via Roland GO:Mixer Pro-X via Soundcraft EPM6 Mixer. No additional effects or processing were used.

Be sure to check out my cool pre-owned gear and hand-made eurorack modules in my Reverb Store.

Behringer 2-XM Four Voice Poly Action Using CV.OCD [Demo 01]

Today I'm employing a Sixty Four Pixels CV.OCD to distribute CV/gate amongst two Behringer 2-XM synths for proper Four Voice allocation. As of today the 2-XM firmware on its own does not support individual voice allocation this way. And THIS is very much what I signed up for: stereo panning each voice however I want, pulling out notes of a sequence/chord using filter and envelope controls per voice, and slight variations in the voicings giving rise to an analog sound that is very much alive. Even when the sequence is just arpeggiating a single note value, the variations suggest movement as you will hear.

All audio recorded direct to iPhone via Roland GO:MIXER Pro-X. No sound effects are applied, some normalization in post processing. Signals were sub-mixed on a Soundcraft EPM6 mixer, no added EQ. Sequencing by Arturia Keystep Pro.

0:00 Chords and Bass Sequence I
2:32 Chords and Bass Sequence II
4:14 Single Note Arpeggiation

I make Eurorack Modules with Mojo. Check out my Reverb Store for module availability and gently pre-owned gear.

My Quintessential OB-6 Synthesizer Sound Set Now Available on Gumroad

Today I introduce my Quintessential OB-6 Synthesizer Sound Set. This audio demo is a selection from my original Sequential/Oberheim OB6 patches. The bank download includes 100 patches can be purchased at Gumroad. The patches come from a variety of influences: Arena Rock, Pop, Trance, Darkwave, Freestyle, Dub, Classic Hits, New Wave, Electro. As well as some funky weird stuff the OB-6 has coaxed from my imagination. Hope you'll enjoy these awe-inspiring sonics coming from the OB-6 as much as I do. All audio recorded direct to iPhone via Roland GO:MIXER Pro-X. Only on-board synth fx used, no additional effects. Some normalization in post processing.

PATCH TIMESTAMPS
0:00 | 000 Sawyer Stab
0:17 | 001 Cosmic Interval
0:26 | 002 X-Mod Pad I
0:33 | 003 Reso Arp I
0:39 | 004 Ominous Pad Sweep
0:54 | 006 Cosmic Trance Stab
1:15 | 009 Dub Stab I
1:20 | 010 Thrilla Bass
1:24 | 011 Daylight Pad
1:31 | 014 Staccato Arp w/ Delay
1:46 | 018 Falling Star
1:56 | 020 Breakdown Stab
2:06 | 021 Timeless I
2:18 | 022 Timeless II
2:31 | 023 Shock Value
2:43 | 024 Choir Pad
2:51 | 026 Detroit
2:59 | 027 Soft Power
3:09 | 030 Bionic Break
3:18 | 031 Memorymoog Bass
3:24 | 032 String Artifacts
3:39 | 033 Float Away
3:49 | 035 X-Mod Lead
3:58 | 036 Big Obie Pad
4:07 | 038 Freestyle Bass I
4:14 | 039 Pulsing Chord Sweep
4:27 | 040 4th Dimension
4:36 | 041 Notch Sweep
4:47 | 042 Notch Dream Pad
5:01 | 044 Freestyle Bass II
5:07 | 045 Dub House Bass
5:16 | 046 Dream Stab
5:31 | 047 Good Life
5:39 | 048 Fanfare
5:44 | 049 Soft Brass
5:50 | 050 80s Poly
6:01 | 051 Strange World
6:27 | 053 Dream Chops
6:41 | 054 Eminent Strings
6:50 | 055 October Love
7:04 | 056 Burning House
7:18 | 057 Strange Lead
7:30 | 059 Soft Stab
7:39 | 060 Beauty Arp
7:41 | 061 Stringer Phase
7:57 | 062 Stringer Phase Full
8:04 | 063 Tuned TR Cowbell
8:17 | 065 Eden Arp
8:30 | 066 Delta Organ Cheese
8:42 | 067 The Drop
8:51 | 068 Fantasy World
9:04 | 069 Big Yay
9:13 | 070 X-Mod Stab
9:22 | 071 Encore
9:31 | 072 D-Fifths
9:38 | 073 Weird Strings
9:47 | 075 VHS Theme
9:59 | 077 2099
10:07 | 079 Dessert Pie Arp
10:23 | 080 Jetlag
10:35 | 081 Liguids
10:45 | 082 X-Mod Pad II
11:01 | 083 Glamour Pad
11:09 | 084 Bionic Arp
11:20 | 085 Seq Groove
11:33 | 086 Cosmic Texture
11:44 | 087 Stereo Gallop
11:57 | 089 Death Bed
12:18 | 091 Angry Arco
12:31 | 092 Squeegee Groove
12:43 | 096 Broken Toy
12:53 | 097 EDM Bass Pad
13:06 | 098 Full String Section
13:18 | 099 Outro Glide

JHS Colour Box v2 Lovely Saturation [FX w/ Synthesizers #19] Demo

Today I am exploring various synth and percussion elements through the JHS Colour Box v2 for that lovely vintage console saturation. A/B comparison effect on/bypass except the last section, got lost in the moment on that one. Tried my best to mind the levels, but now and then the volume is a bit inconsistent. Some normalization applied to remedy some of that, you understand. The EQ applied some nice touches, really helps pick out some sweet spots here and there. Recorded direct on iPhone via EPM6 mixer via Go:Mixer:Pro-X.

0:00 Novation Bass Station II
0:44 Bass Station II
1:22 Bass Station II
2:01 Oberheim DX
3:10 Behringer 2600
3:45 Eurorack 208HP Percussion System
5:15 Pittsburgh Modular Taiga
6:06 Roland JX-3P via Big Sky on Hall reverb

Be sure to check out my cool Eurorack modules and gently pre-owned gear in my Reverb Store

Auditioning Akai Samples on the Vintage 12-Bit X7000

Today I am exploring selected standard library samples on Akai X7000. The sounds came w/ my Gotek USB floppy emulator. Recorded direct on iPhone via EPM6 mixer via Go:Mixer:Pro-X. Industrial basses, strings, synths, plucky things, a couple of weird sound fx. This sampler, other gently pre-owned gear, and my hand-made eurorack modules are all currently available for sale in my Reverb store.

AKAI SOUND LIBRARY
0:00 Electric Bass
0:08 Hi String
0:23 Haunting Fifths
0:37 EMS
AKAI VARIOS
0:47 BBrass
0:54 Big Anna (+Eutopic glitched loading)
1:15 CMI Atmosphere
1:29 CMI Choir
1:37 CMI Sararr
1:42 D50 Fantasia
1:56 Depeche
2:05 DX7 Funk Bass
2:13 Eminent
2:23 Eutopic
2:35 Juno Max
2:45 Mega Bass
2:54 PPG Bass
LA STUDIO
3:03 Classical Guitar I
3:15 Double Bass
3:23 Armageddon

Behringer Wave Digital Synthesizer User Review [Demo 01]

Today I am giving a user review of the new Behringer Wave. My personal thoughts and opinions. I bought this synth with my own tax refund money. So nobody has input into what I'm posting here today. The Wave is promoted as a faithful reproduction of the PPG Wave 2.3 digital synthesizer in all its lo-fi glory. With a touch of some modern feature additions. While I have tried a friend's original PPG, this is not a comparison to the original. Nor is this an exhaustive how-to, nor covering all features.
Is the Behringer Wave right for you?
What makes the Wave stand out from other synths?
Is the Wave a good value for the money?
Can I recommend the Wave to others?

0:00 Introduction and Brief Overview
1:01 Build Quality
2:23 Features, Sound
4:39 User Interface and the Synthtribe App
6:10 Final Thoughts
7:59 One more thing

Be sure to check out my cool Eurorack modules I make in my Reverb Store

Casio CZ-1000 Synthesizer Demo

Today the Casio CZ-1000 is giving me the feels with an Eventide Timefactor. Original patches, recorded direct via Roland GO:Mixer Pro-X. Be sure to check out my Reverb Store for gently pre-owned gear and the cool Eurorack modules I offer.

Mangling Audio w/ Akai S612 Audio Demo

Taking an Akai S612 lofi sampler for a spin, various audio sources. Manipulating sample start/end splice points in real time, very few instruments have this ability. Recorded direct via Roland GO:MIXER Pro-X to iPhone.

Be sure to check my cool Eurorack Modules in my Reverb Store.

Kawai K1m Retro Digital Synth Euphoria Desktop Module

Today I'm auditioning my original patches made for the Kawai K1m. A very limited digital synth from the 90s. And yet after digging into the architecture was able to harness some very powerful and unique features that are really, I mean, REALLY surprising. You'll hear some cheesy things, some pads, basses. And then there's fat poly action, swirling digital synth soundscapes. And alive motion things that are frankly astounding for such an unassuming little black box. Try to keep in mind when you hear the Mesmerized patch - the K1m has no sequencer nor arpeggiator. No freely assignable LFOs, just a fixed vibrato and that's it. And NO filter ha! Be sure to watch the whole video, lots of my favorites are on the 2nd half starting @3:19. My favorites are Head East, LA Sunset, Liquide and Mesmerized...which ones did you like?

0:00 Steamy
0:22 StringSyn
0:32 MicroMacro
0:45 Meekly
1:04 Spokes
1:18 Bedtime
1:39 SynViolin
1:49 Deep State
1:58 ChordLock
2:08 Sunrays
2:21 StringPad2
2:40 Sine Tones
2:51 ReedyBass
2:57 LectroKeys
3:18 TreeOfLife
3:45 Worn Tape
4:09 Ramp Me!
4:27 Italio
4:42 Hunter Bass
4:52 FlrscntBass
5:02 LA Sunset
5:43 Liquide
6:27 FuturChopz
6:42 Big Chill
7:10 Digipad
7:22 Fat Poly
7:43 Fat Punch
7:50 Head East
8:21 Night Sky
8:37 Artifakt
9:10 Mesmerized

Recorded direct, only the onboard effects are used. No other mastering or effects have been added.
Be sure to check out my Reverb Store for cool eurorack modules and gently owned gear for sale.

Behringer MS-5 Synthesizer User Review [Demo 01]

Today I am giving a user review of the new Behringer MS-5. My personal thoughts and opinions. I bought this synth with my own money. So nobody has input into what I'm posting here today. The MS-5 is touted as a faithful reproduction of the Roland SH-5 all-analog circuitry. With a touch of some modern feature additions. While I have tried a friend's original SH-5, this is not a comparison to the original. Nor is this an exhaustive how-to, nor covering all features. Is the MS-5 right for you? What makes the MS-5 stand out from other synths? Is the MS-5 a good value for the money? Can I recommend the MS-5 to others?

0:00 Introduction and Brief Overview
1:03 Build Quality
3:09 Demo
3:34 Features, Sound and Quirky Design Oddities
7:51 Demo
8:08 Computer and MIDI Interconnectivity
9:18 Final Thoughts

Be sure to check out my Reverb Store for my cool Eurorack modules and gently pre-owned music gear.

GODSPEar OSCar Filter Translation | British Tribute Riffs [Demo #3]

GODSPEar is my homage to the Oxford OSCar filter in Eurorack format. Time to enjoy a dual voice setup w/ musical contexts featuring a few riffs inspired by British synth royalty.

GODSPEar Full Specs on Modular Grid
Check my Reverb store for GODSPEar and other module availability

G-Storm Electro | Modules With Mojo

GODSPEar | Detailed Overview | Oxford OSCar Eurorack Filter Translation ...

GODSPEar is my homage to the Oxford OSCar filter in Eurorack format. In this video I present a walkthrough detailed explanation what all the features do while auditioning the audio. And make a few weird sound patches along the way. Recorded direct to Pittsburgh Modular Outs to iPhone via Roland Go Mixer Pro-X. Some gain normalization used. While this demo isn't very musical, let me know in the comments if you would be interested in something more of musical exemplar.

0:00 Intro - Inputs and Output
0:47 Two Filters, One Frequency
1:41 Filter CV
2:37 Q (Res) and Filter Tracking
4:19 Q (Res) CV
5:01 Filter Modes
6:38 Separation
9:04 Separation CV and the Full-Wave Rectifier
11:04 Audio Rate Modulation

Full Specs on Modular Grid
Check my Reverb store for GODSPEar and other module availability

G-Storm Electro | Modules With Mojo

GODSPEar | Oxford OSCar Eurorack Filter Translation [Demo #1]

Today I am introducing GODSPEar, my homage to the Oxford OSCar filter in Eurorack format. GODSPEar is the only filter used in these audio recordings. Detailed explanation of the module and patch examples will be in a forthcoming Demo #2. Audio recorded direct to Tascam DR-05, some additional compression and normalization used in the making of this audio.

Full Specs on Modular Grid
Check my Reverb store for GODSPEar and other module availability
The audio demos can be heard on their entirety on my Soundcloud page.

G-Storm Electro | Modules With Mojo

Source Audio Artifakt [FX w/ Synthesizers #18] No Talk Audio Demo

Artifakt by Source Audio. Lo-fi, low grade reverb, bit-reduction, tape hissy, AM Radio goodess. Today I'm running some synths and electro gear through the Artifakt pedal, see what modes I've been vibing with. Pedal was edited all manually - on computer. No presets were used - So you'll see a pic of pedal starting point settings w/ each audition. Dry audio preceeds FX auditions...well usually. Recorded direct to Tascam DR-05, no other effects or mastering beyond routine normalization.

*Time* *Equipment* *Artifakt Mode*
0:00 | Sequential Multitrak | uVerb
0:45 | E-Mu Drumulator | Glitch
1:29 | Sequential Multitrak | Tape
2:07 | Behringer Poly800 | uVerb
3:42 | E-Mu Drumulator | uVerb
4:27 | Sequential Multitrak | Radio
5:03 | Tascam Porta One Ministudio | Radio
6:05 | Nord Electro 6D | Crush

Be sure to check out the cool Eurorack Modules I make in my Reverb Store

ELI SL-5050 Tape Delay [FX w/ Synthesizers #17] Demo

This is the ELI SL-5050 New Space Echo. Single delay line and playback head that uses a dictaphone endless tape cartridge. Very similar to Unicord EC-100, or the Univox EC80A Echo Chamber, or any various clones and incarnations. Playing my Roland SH-101 through it. Recorded direct, no other mastering or effects. Be sure to check out my Spring Tank Reverb Driver Eurorack module available in my Reverb Store.

Behringer System 100 Demo

Got around to patching the Behringer System 100 today. Plays well with Arturia Keystep Pro. Give the 172 module phaser and chorus effects a spin. And that 182 sequencer, I love how it is not pitch quantized and gives a weird Stranger Things vibe. Let's do this! No additional mastering or post-effects. This video was not sponsored.

Be sure to check out my own cool eurorack modules in my Reverb Store

G-Storm Electro Spring Tank Shootout Reverb Driver Version 2-1

Quick Comparison of 3 Spring Tank Reverbs using my Reverb Driver version 2-1. I saw that many users were wanting to experiment with a variety of tank sizes, myself included. Now in my driver module version 2-1 I have added a jumper setting which makes it fast and easy to change the driver optimization for short tanks, medium tanks, or long tanks. Audio has been recorded direct, no other mastering or posts effects. 0:00 Quick Intro 0:12 Ruby Tube 2EB2C1B Short size tank 0:55 Vintage Folded Line, Medium size tank like those in a Roland Space Echo 1:53 Accutronics 4AB3C1B Long size 16" tank Check my Reverb store for Spring Tank Reverb Driver availability.

Towering Bass Patches | Gyrinx VCF Filter [Demo 5]

Today I'm auditioning a few humongous bass patches featuring the Gyrinx VCF, no effects. Feeding only a couple of 101-VCOs and Pittsburgh DNA Symbiotic Waves. Modulation by 2xADSR and Feedback Modules LFO, Sequenced by Keystep Pro. Headphones or good monitors recommended. Recorded direct to Tascam DR-05, no other mastering just a little normalization.

Gyrinx-VCF is a eurorack filter inspired by the vintage Synton Syrinx filter section using Alfa AS3350 chips. Check my Reverb store for Gyrinx-VCF availability

Korg SDD-1200 Dual Delay Rack FX w/ a Synthesizer Demo

This is the Korg SDD-1200 vintage effects unit. Featuring two completely independent digital delay lines. You can patch up the delays any way you like: In series, parallel, internal or external feedback loops. Today I'll be auditioning a few selected patches with some sounds with my Korg Poly-61 Synthesizer.

0:00 | Intro
0:54 | Stereo Flange
2:20 | Stereo Chorus
3:01 | Rhythmic Stereo Delay
4:09 | Feedback Loop
5:25 | Stereo Chorus + FX Feedback Loop