Showing posts with label 4012. Show all posts
Showing posts with label 4012. Show all posts
Monday, May 2, 2022
Re-introducing Tonus VCF r3 Eurorack Filter Demo ARP 2600 4012
Tonus VCF is back by popular demand.
Still that faithful Eurorack filter adaptation of the early MKI ARP 2600 synthesizers that you know and love w/ some minor improvements.
Sound sources | Capt'n Big-O + Pittsburgh Primary Oscillator B
Recorded direct, no other mastering or effects.
Tonus VCF is a eurorack modular adapation of the ARP 2600 mk1 filter (4012).
Check my Reverb store for availability and other cool modules
Labels:
2600,
4012,
Analog,
ARP,
audio,
bass,
demo,
electronic,
eurorack,
filter,
ladder,
modular,
module,
Moog,
Pittsburgh Modular,
synthesizers,
Synths
Tuesday, December 5, 2017
Tonus VCF (X3) Filter Gets An Onslaught of CVs Eurorack Synthesizer
This being my THIRD video of my new Tonus VCF module, and therefore I must punish THREE of them, in a line up, with an onslaught of control voltages. For those living under a rock, Tonus VCF is my all-analog Eurorack adaptation of the righteous ARP 2600 filter - the early version 4012. Module #1 (left) is belting out a big ol' kick drum using self-resonance only. Module #2 (middle) is being grass fed whole grain digital bliss from the DNA Symbiotic Waves. Module #3 (right) is squeaking out stupid little astrodroid noises using only self-resonance. Varigate 4 and Beatstep Pro are micro-managing other things: Bastl Skis dual VCA, Pittsburgh Synthesizer Box, Toolbox Sample/Hold, 4MS RCD, sequential switch. All 3 filters mixed using my Infusor module. No filters were harmed in making this demo.
Labels:
2600,
4-pole,
4012,
adaptation,
Analog,
ARP,
clone,
control voltage,
eurorack,
filter,
glitch,
Korg,
Moog,
re-issue,
Richard Devine,
Roland,
synthesizer,
weird
Sunday, December 3, 2017
Tonus VCF Now Available on Reverb
Wednesday, November 29, 2017
ARP 2600 Filter Adaptation - Tonus VCF Eurorack 4012 Module
G-Storm Electro is now on Facebook http://www.facebook.com/gstormelectro
G-Storm announces a new all-analog eurorack module, the Tonus VCF. For a long time I wanted a vintage ARP 2600 synthesizer. Then it dawned on me, all I really wanted was a faithful adaptation of the filter in my eurorack. I'm calling it the Tonus VCF on account that the Tonus ARP logo design was used on the earliest 2600s. Without any further adieu, let’s listen to the Tonus VCF in action!
Great care was taken to keep the Tonus VCF design as close to the original as possible including component selection and transistor pair matching. My modules are painstakingly hand-crafted in the USA in limited quantities. The first units are planned to be available on Reverb.com next week, but my parts suppliers are dealing w/ holiday shipping volumes this time of year. Asking price $200 USD, international shipment available. Full details and specs at Modular Grid.
Labels:
4012,
adaptation,
ARP,
clone,
eurorack,
filter,
infringement,
Minimoog,
modular,
module,
Moog,
re-issue,
synth,
synthesizer,
VCF,
vintage
Tuesday, November 21, 2017
Tonus VCF Module First Look [ARP 2600 4012 Filter Eurorack Adaptation]
Details are now available at Modular Grid. Yes it's real, and it's spectacular. Should be available for $200 usd in the next week or two on Reverb.com.
In my previous video I showed a breadboard circuit of a classic analog synthesizer filter. The identity of the filter was left a mystery. Today in this video I not only reveal that it is a faithful Eurorack adaptation of the 4012 module from the early ARP 2600 synthesizers, you will get a sneak peek at my hand-crafted prototype design - the Tonus VCF - and hear it in action!
I jump right in and see how the Tonus VCF sounds by sending the resonance into self-oscillation. Be warned, demonstration of resonance self-oscillation can be shrill. Then I cut the resonance and send a sawtooth to the audio input, then a square wave, then a complex digital waveform from the Pittsburgh DNA Symbiotic Waves. After that I remove the audio inputs, return to pure resonance self-oscillation, and this time send the Sawtooth into the CV input to make the filter go berserk with some Filter FM. These are the kinds of sounds the ARP 2600 was known. Last I use an LFO and Sample-Hold as CV inputs. Audio recorded direct to Tascam DR-05, no effects.
In my previous video I showed a breadboard circuit of a classic analog synthesizer filter. The identity of the filter was left a mystery. Today in this video I not only reveal that it is a faithful Eurorack adaptation of the 4012 module from the early ARP 2600 synthesizers, you will get a sneak peek at my hand-crafted prototype design - the Tonus VCF - and hear it in action!
I jump right in and see how the Tonus VCF sounds by sending the resonance into self-oscillation. Be warned, demonstration of resonance self-oscillation can be shrill. Then I cut the resonance and send a sawtooth to the audio input, then a square wave, then a complex digital waveform from the Pittsburgh DNA Symbiotic Waves. After that I remove the audio inputs, return to pure resonance self-oscillation, and this time send the Sawtooth into the CV input to make the filter go berserk with some Filter FM. These are the kinds of sounds the ARP 2600 was known. Last I use an LFO and Sample-Hold as CV inputs. Audio recorded direct to Tascam DR-05, no effects.
Labels:
2600,
4012,
adaptation,
ARP,
clone,
euro,
eurorack,
filter,
Korg,
ladder,
modular,
module,
Moog,
Oberheim,
R2-D2,
re-issue,
Roland,
synthesizer,
transistor,
vintage
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