GSE 101-VCO vs SH-101 + 101-VCO Tuning Mod [Demo 4]

Today, I am comparing my 101-VCO to the original Roland SH-101 synthesizer.
How close to the original is my 101-VCO?
Saw, Pulse, Pulse Width Modulation, Sub, and Noise waveforms.
The SH-101 did not have the Triangle waveform.
At the end of the video I'll play both of them together, just for fun.

I'll also show you an easy mod for the 101-VCO so that it's pitch CV can
match the tuning of the original SH-101.
It involves adding a 1206 470K resistor to R19 previously denoted "DNP".
All 101-VCOs I make and sell henceforth will have the resistor already installed.
And tuned to match the SH-101 as it should be.

Left Channel = 101-VCO
Right Channel = SH-101

0:00 Introduction
0:26 A Simple Mod to match the 101-VCO pitch CV with the SH-101
1:45 Audio Comparisons
4:25 Both at the same time, just for fun

GSE KVP Pitch Calibration Procedure w/ Korg MS-20 + Keystep Pro

In this video I will be showing how to calibrate my KVP (Korg Voltage Processor) module.
While I test and calibrate the tuning of all modules, re-calibration may become necessary when the settings get too far out of whack.
I will give some helpful tips as well as a detailed step-by-step explanation of the calibration process.

This video is of a technical nature.
If you're wanting basic information about the KVP and its uses, be sure to check out my other video
and on ModularGrid

Timestamps
0:00 Intro, Helpful Tips, Setting Up the Keystep Pro
KEYSTEP PRO: Global Setting CV Base Note = C-2
2:28 V/OCT to Hz/V Calibration
Be sure to trim FREQ with the "low C" note
And trim WIDTH with the "high C" note.
7:01 Hz/V to V/OCT Calibration
Be sure to trim FREQ with the 'A' note
And trim WIDTH with the "high C" note

Keep in mind the KVP is an analog signal converter, controlling an analog MS-20 synthesizer. And when converting Hz/V to V/OCT, we may be also using the MS-20 to control yet another analog VCO device. Given these things, the pitch won't be absolutely perfect - but the base frequency and tracking should be well within musically acceptable margins.